"When you need me, but do not want me, then I will stay. When you want me, but do not need me, then I have to go." --Emma Thompson 
(2005) Family Fantasy Comedy
Based on the books by Christianna Brand
Starring Emma Thompson, Colin Firth, and Angela Lansbury 
Directed by Kirk Jones
Produced by  Lindsay Doran
Written by Emma Thompson 
Running time: 99 minutes
Rated PG
I  am so tired of stories concerning dead moms and the trying and tortured  lives of their left-behind children. I lived it, and I was never a  rotten little girl to anyone. Get some new material, Hollywood. That  being said, I really dig this movie. However, I will openly own up to my  gargantuan crush on Emma Thompson, which alleviates a little bit of the  plot's predictability. I trust Emma. What I mean by this is that she  consistently picks hearty roles, meaningful films, and respectable life  projects. If you take a close look at her work history, you'll see she  does a lot more than act. She's a (dare I use the term) well-rounded  young lady with a pretty collection of little gold men and an  interesting take on religion. Bravo, my beauty, for being all your own.
Nanny McPhee  is the story of the Brown family, headed (kind of) by Colin Firth. He's  got seven kids. If you've only got one kid, you can probably fathom the  power of seven. There are a couple of sabotage scenes that are  reminiscent of The Parent Trap (x 3.5). These munchkins eat  nannies alive for funsies and are just generally despicable. Of course  it's because they don't get enough attention from daddy, blah blah blah.  And he doesn't have time for them because he only has one month to find  a new wife, or he'll lose his inheritance from the rich, old (bitch)  aunt (Lansbury). Whatever. Firth chats with his dead wife whilst lifting  his teacup to her gaudy pink chair, so you can understand why he's not  blazing up the dating circuit. But he is sexy, or there wouldn't be any  love interest. Still...there's no way in hell one man could raise seven  kids on an undertaker's salary, and that's why we've got a story to  tell. Trust me, I get it. I'm just being cheeky. 
The  bit of this film that isn't predictable concerns the fantasy element.  Nanny McPhee is no looker. (I'm trying not to judge here, so bear with  me.) She's got over-sized moles, crazy teeth, a nose like an eggplant,  frizzy hair, and an ass the size of Texas. I'll admit, her makeup is a  little over the top, but so are these devil kids. As said monster  minions absorb each of her magic lessons, she sheds a "negative"  physical trait. So in the end, she looks more like Julie Andrews. (If  you're a lover of Mary Poppins, this flick is the darker  alternative, minus the singing. But I must warn, there's a bashful,  snickering donkey in Sunday dress, for those of you who aren't into  animated animaux.) 
If my harsh treatment of the  storyline hasn't hooked you yet, it's worth noting that the sets and  costuming are phenomenal, like a mosaic. The manipulation of color in  this film should have been billed as a character. It's all  just...lovely. As the viewer, you're quickly tossed into a whole new  world, rich with British Shabby Chic detail. (Yes, I conjured that term,  but it fits.) The direction is spot on. Totally makes up for the  donkey. All in all, Nanny McPhee is the sweet kind of movie you'll be itching for after watching like, oh say... Sid and Nancy. I prefer to call these "Dessert Flicks"--what you crave after chewing something heavier. 
So, as it spins--
One spider for clever manipulation of light and shadow.
One spider for creative set and costume design.
One spider for Emma. She's a classy chick.
 
 
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